By Nadine Gebhardt
Along the traces of Chicana feminism, the conventional definitions of those female archetypes might be visible as selling a picture of girl that's harmful to woman subjectivity. even though there are 3 figures, those archetypes evoke a binary competition that defines lady as both “good girl” or “bad woman,” “virgin” or “whore.” As such, they restrict and circumscribe the Chicana’s improvement of subjectivity.
But those cultural icons can also epitomize female energy, and for this reason give you the Chicana with attainable feminist function versions to again up her emancipation. Chicana feminists have hired artistic writing to counter the Catholic-patriarchal discourse at the Virgin of Guadalupe, Malinche, and l. a. Llorona. As they discover those cultural archetypes of their novels, brief tales, and poems, Chicana feminists try and display the mechanisms through which the unique photos of those mythic figures were subverted, disempowered, and distorted. yet most significantly, they search to deconstruct the virgin/whore dichotomy by way of rewriting the mythic figures. via a revision of current myths, Chicana writers may be able to create a feminist mythology that's rooted in cultural culture yet concurrently serves as an act of resistance to the dominant discourse.
This Master’s thesis will discover the mythic figures of Guadalupe, Malinche, and los angeles Llorona in all their complexity, and speak about their major position in modern Chicana literature through targeting various examples of artistic writing supplied by means of 3 of the main articulate and robust Chicana voices:
Helena Maria Viramontes: “The damaged internet” and “The Cariboo Cafe”
Sandra Cisneros: “Little Miracles, stored Promises,” “Never Marry a Mexican” and “Woman Hollering Creek”
Ana Castillo: thus far from God
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Female mythologies in contemporary chicana literature by Nadine Gebhardt