Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston PDF

By Carrie J. Preston

Throughout the 20th century, jap noh drama used to be a tremendous artistic catalyst for American and eu writers, dancers, and composers. The noh theater’s stylized choreography, poetic chant, marvelous costumes and mask, and engagement with background encouraged Western artists as they reimagined new ways to culture and shape. In Learning to Kneel, Carrie J. Preston locates noh’s impression on Pound’s imagism, Yeats’s Irish nationwide Theater, Brecht’s studying performs, Britten’s church parables, and Beckett’s spare dramaturgy. those artists discovered approximately noh from a global forged of collaborators, together with the Tokyo-born dancer and theater artist Ito Michio, who played with Pound in dance-poem recitals and in Yeats’s well-known noh edition, At the Hawk’s Well.

Preston’s paintings has been profoundly formed by way of her education in noh functionality approach less than a certified actor in Tokyo, who taught her to kneel, bow, chant, and undergo the lessons of a conservative culture. After before everything assuming noh classes could suppose humiliating, Preston came upon herself experiencing the price of and enjoyment in submission to a professional instructor and coaching routine. This cross-cultural alternate challenged her assumptions approximately potent instructing, really her developments to stress innovation and subversion and forget the advanced levels of employer skilled through lecturers and scholars. It additionally encouraged new views concerning the generative courting among Western writers and jap performers. Pound, Yeats, Brecht, and others are usually criticized for his or her Orientalist traits and misappropriation of noh, yet Preston’s research and her personal trip mirror a extra nuanced realizing of cultural exchange.

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Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Modernist Latitudes) by Carrie J. Preston

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