By Carrie J. Preston
Preston’s paintings has been profoundly formed by way of her education in noh functionality approach less than a certified actor in Tokyo, who taught her to kneel, bow, chant, and undergo the lessons of a conservative culture. After before everything assuming noh classes could suppose humiliating, Preston came upon herself experiencing the price of and enjoyment in submission to a professional instructor and coaching routine. This cross-cultural alternate challenged her assumptions approximately potent instructing, really her developments to stress innovation and subversion and forget the advanced levels of employer skilled through lecturers and scholars. It additionally encouraged new views concerning the generative courting among Western writers and jap performers. Pound, Yeats, Brecht, and others are usually criticized for his or her Orientalist traits and misappropriation of noh, yet Preston’s research and her personal trip mirror a extra nuanced realizing of cultural exchange.
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Additional info for Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Modernist Latitudes)
Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Modernist Latitudes) by Carrie J. Preston