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By Leonardo Lisi

methods of realizing the cultured association of literary works have come right down to us from the overdue 18th century and dominate discussions of eu modernism this present day: the aesthetics of autonomy, linked to the self-sufficient murals, and the aesthetics of fragmentation, practiced by way of the avant-gardes. during this revisionary learn, Leonardo Lisi argues that those versions relaxation on assumptions in regards to the nature of fact and life that can not be taken care of as exhaustive of modernist form.

Lisi strains an alternate aesthetics of dependency that offers a special formal constitution, philosophical starting place, and old situation for modernist texts. Taking Europe's Scandinavian outer edge as his element of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a reaction to the altering stipulations of modernity varied from these on the eu center, one who for this reason inspired Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.

Combining shut readings with a broader revision of the character and family tree of modernism, Marginal Modernity demanding situations what we comprehend via modernist aesthetics, their origins, and their implications for the way we conceive of our relation to the trendy world.

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Marginal Modernity: The Aesthetics of Dependency from Kierkegaard to Joyce by Leonardo Lisi


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