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By Robert Scholes

In this energetic, own ebook, Robert Scholes intervenes in ongoing discussions approximately modernism within the arts through the an important half-century from 1895 to 1945. whereas critics of and apologists for modernism have outlined sleek artwork and literature when it comes to binary oppositions—high/low, old/new, hard/soft, poetry/rhetoric—Scholes contends that those differences are in reality stressed and deceptive. Such oppositions are cases of “paradoxy”—an obvious readability that covers actual confusion.
Closely analyzing particular literary texts, drawings, severe writings, and memoirs, Scholes seeks to complicate the neat polar oppositions attributed to modernism. He argues for the rehabilitation of works within the center flooring which were trivialized in earlier reviews, and he fights orthodoxy with such paradoxes as “durable fluff,” “formulaic creativity,” and “iridescent mediocrity.” The booklet reconsiders significant figures like James Joyce whereas underscoring the worth of teenybopper figures and addressing new cognizance to others hardly studied. It contains twenty-two illustrations of the works of art mentioned. jam-packed with the observations of a personable and witty advisor, this can be a publication that opens up for a reader’s satisfaction the wealthy cultural terrain of modernism.

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Paradoxy of Modernism by Robert Scholes


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