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By Betsy van Schlun

Pool used to be an avant-garde team that originated in 1927 in Britain and was once energetic less than this identify till 1933. the gang consisted of the well known modernist poet H.D., the English author Bryher, and the younger Scottish author and artist Kenneth Macpherson. All 3 have been initially writers, who at one aspect chanced on movie as one other glossy, experimental medium of creative expression. Pool linked to just about all the enduring modernists in their time, with Ezra Pound, Gertrude Stein, Ernest Hemmingway, James Joyce, Marianne Moore, William Carlos Williams, T.S. Eliot, and Virginia Woolf, to call just a couple of. moreover, because of their curiosity in movie, they have been additionally befriended with such influential filmmakers as Sergei Eisenstein and Georg Wilhelm Pabst, and have become heavily linked to Weimar Berlin movie culture.
Pool unites classical Modernism and modernity, instructions which are frequently thought of to be contradictory. The Pool phenomenon opens a brand new point of view onto Modernism and activates a reconsideration of its canonical texts and figures. opposite to many artists of Modernism, who devised hugely individualistic aesthetic types, the artists of Pool strove in the direction of a common paintings of humanity that was once rooted in all-human nature and psychology.

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The Pool Group and the Quest for Anthropological Universality: The Humane Images of Modernism (Buchreihe der Anglia / Anglia Book Series) by Betsy van Schlun

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